Showing posts with label top 10 list. Show all posts
Showing posts with label top 10 list. Show all posts

Friday, November 16, 2012

Top 10 List - Brittany Shepherd



Brittany Shepherd

 

Here's my top 10! (in no particular order)


1. Erik van der Weijde, Der Baum

The project, titled "Der Baum", departs from the newly published book of the same title, which presents a series of 44 photographs the artist has taken during the past few years in different places, in each of which a tree stands in front of a specific background.
Starting with the grave of Adolf Hitler’s parents in Leonding, the trees cover locations in Brasilia, São Paulo, Berlin, Kassel, München, Istanbul and many other sites, joining discourses related to history, contemporary crime news, simple curiosities or wholly unspectacular and unidentified places.


2. Inka Meißner, Some Deaths



A collection of the last page from 67 different novels published in the past two hundred years describing the death of the main character in the novel. Some Deaths explores the different literary styles of Kafka, Flaubert, Woolf and more.


3. Audun Mortensen, The Collected Jokes of Slavoj Žižek

In The Collected Jokes of Slavoj Žižek has collected every joke cited or paraphrased by the Slovenian philosopher in his English books, from The Sublime Object of Ideology (1989) to Living in the End Times (2010).


4. Tony Romano &Claire Greenshaw, Millions Magazine: Fall 2012

Millions Magazine is a new contemporary art periodical edited by Canadian artists Tony Romano and Claire Greenshaw.

Issue 1 features David Armstrong Six, Iain Baxter&, Nadia Belerique, Bill Bissett, Duncan Campbell, Aaron Carpenter, Jennifer Castle, Shayne Ehman, Sojourner Truth Parsons, Nicolas Party and Brad Phillips.


5. Prism of Reality 2012

A Prism of Reality: a self-evident visuality, a metaphor that declares the truth of the image it produces. A prism of reality clarifies nothing; yet it emphasizes, insists, actualizes its metaphors. PRISM OF REALITY is a new artist-run arts journal that treats culture as de facto and absolute, itself constitutive of reality. Prism of Reality is distributed internationally in print and online, and is released every nine months.


6. Ricardo Previdi, Wrong Test
 
Conceived as a work halfway between an artist’s book and an exhibition catalogue, Wrong Test by Riccardo Previdi presents the newest works from the series Tests that the artist started to work on three years ago. Previdi culls his test patterns mostly from the internet. He started out using test patterns created to calibrate printers, to verify the color accuracy of digital cameras, or in conjunction with medical testing. Previdi prints the images on standard A4-sized paper, crumples them up, photographs them and then reprints them, often in enlargement, following this process of apparent destruction. Printed on a wooden board or stretched on a frame, the Tests vary in texture and are integrated into spatial interventions and installations in dialogue with existing architecture. Wrong Test presents some 46 test patterns across 120 pages, accompanied by a brief text extracted from Amazon.com customer reviews of the commercial products. The series was produced for this publication.
The selection, reminiscent of a visual scientific study, places particular focus on the commercial use of digital photographs and sheds light on various aspects of the technical image. Another focal point is the confrontation with the history of the technical image and the conditions of seeing.


7. David Horvitz, Sad, Depressed, People

David Horvitz’s Sad, Depressed, People looks at a set of images circulating within stock photography collections. These photographs, in which actors are photographed holding their heads in their hands, ostensibly depressed, are here shown to contain a bizarre tension between their status as stock images and their supposedly emotional content.

 
8. dOCUMENTA (13) The Guidebook 2012


9. VSVSVS, Lighter Boxes 2012

The care and attention put into the box belies the disposable nature of its contents, giving the ephemeral the permanence of a collectable. The simple aesthetic pleasure of a complete collection is immediately accessible, a beautiful dance of colours to put upon a shelf and admire for years to come - or to open when the time is right.


10. Mousse #35, October-November 2012


Top 10 List - VSVSVS



Top 10 List

VSVSVS

1.  Patrick Killoran, Insight T-Shirt

A t-shirt for the fashion conscious thinker. Patrick Killoran's design incorporates a small metal grometed hole in the center of the wearer's chest. The hole in the navy blue t-shirt acts as a lens when the wearer pulls the neck out and points the hole in the direction of a light source. Looking down through the neck hole one can see evidence of the surrounding world projected on the body.


2.  Fabian Reimann, The Surveyor

By the end of 1979, Sir Anthony Frederick Blunt was no longer Sir. The reason can be traced back to Cambridge where he was a student – and a member of a secret circle of men who were young and ardent advocates of Communism. Later they became known as the Cambridge Five. The first of them was exposed in 1951, the second one a year later. By this time, Blunt was professor of Art History and Adviser for the Queen’s Pictures and Drawings. He was in charge of managing the Royal Family's collection of paintings. His focus was on French and Italian art, especially Poussin. In 1963, the third member of the Cambridge Five was uncovered. Like the others, he had sought refuge in Moscow. Blunt’s secret identity became known the year after, but it was not publicly revealed to avoid damage to the Queen. It took another 15 years for Margaret Thatcher to publicise it. This work functions as an investigation into the scandal.


3. Sandy Plotnikoff, Bread Clip Earrings

Snap apart plastic bread bag clip earrings, hot stamped with either woodgrain, prismatic or hologram foils. On fish hook findings.


4.  Sarah Nasby, Self Help from Typographers: Herbert Bayer




5. Mike Billington, Free Money

Billington publishes another volume of his witty observations and deceptively barebone drawings. Each artist book includes a tipped in surprise-multiple from the artist which is not so subtly alluded to in the title.


6. The Pleasure Is Back, Stop the bullying!

Take a bold stand against primary-colour-clad schoolyard thugs with this powerful, important poster.
Poster-size reproduction of one of The Pleasure Is Back’s most relevant clippings.


7. Koen Brams & Krist Gruijthuijsen, The Encyclopedia of Fictional Artists (1605-today) & The Addition

Encyclopedia of Fictional Artists (1605 – today)' is a publication by Koen Brams, who together with co-editors developed a compilation of biographies from fictional artists as presented in world literature. Although previously published and distributed as literature, this compilation provokes the perception of the art context as a descriptive and historical narrative and is therefore to be seen as a conceptual framework for potential artistic additions. (Edited by Koen Brams)

'The Addition' is a separate compilation of autonomous responses towards the encyclopedic book whose content remains descriptive and informative. Serving as a collection of artistic contributions, 'The Addition' cryptically unfolds and (de) constructs the ways in which fiction manifests itself within language and artistic production.


With contributions by Alan Abel, Antinomian Press, Bik Van der Pol, Michael Blum, Heman Chong, George Cup & Steve Elliott, Keren Cytter, Chris Evans (i.c.w. Will Bradley & Tirdad Zolghadr), Ryan Gander, Gruppo Parole e Immagini, Will Holder, John Fare Estate, K.D., Matthieu Laurette, Gabriel Lester, Benoît Maire,Oscar Neuestern, Adam Pendleton, Michael Portnoy & Olivier Sudden, Roee Rosen, Alexandre Singh, Uqbar Foundation, Barbara Visser


8. Kristan Horton, Dr. Strangelove, Dr. Strangelove

Horton’s uncanny ‘cover’ of Kubrick’s legendary film, where he used only materials he found in his studio to recreate hundreds of frames from the movie. The work is presented here in a letterbox-format book with the original images shown alongside their new counterparts.


9. Fukt, A Magazine for Contemporary Drawing, no.10

With contributions by Adam Dant, Nanne Meyer, D-L Alvarez, Monika Grzymala, Steven Ketchum, Ralf Ziervogel, Kay Arne Kirkebø, Michael Schall, Björn Hegardt, Ola Åstrand, Rinus Van de Velde, Daniel Zeller, Tegneklubben, Yehudit Sasportas, Ane Graff, Daniel Nadaud, Joan Linder, Astrid Köppe, Brendan Fernandes, and Motoko Dobashi.
Essay by Erlend Hammer


10. Maurizio Nannucci, Doorstop M.D.

Bronze doorstop with text reading Doorstop MD / 11 rue Larrey, Paris 5 - the address of Marcel Duchamp.


Top 10 List - cheyanne turions

  1. TOP TEN LIST 

     

     cheyanne turions


    1.    Helene Sommer, I was there/here., 2009.
    This book includes re-narrations of collected stories frequently taken out of context, highlighted or twisted according to memory and perception. It is all presumably nonfiction and second or third hand information gathered from books, magazines, TV, internet, museums, rumors and encounters. The randomly collected stories share the common denominator of reflecting dysfunctional and problematic systems whether in relation to history, science, memory or information. Edition of 750.

    2.      Dora García, All the Stories, 2011.
    “A man/ a woman recites all the stories of the world in a loud voice. When she is done, all the stories, all men and women, all time and all places will have passed through her lips.” With the minimum of instructions and a restricted format of four lines, Dora García's collaborative and participatory project has now collected over 2,500 stories. Ranging from mundane to the extraordinary, these four line vignettes reveal the shared fears and fantasies of the contributors, the pervasiveness of popular culture and the possibilities of the imagination. Collected in the form of a book for the first time, this publication presents all the contributions up to 2011.

    3.       The Renaming Machine, The Book, 2010.
    The Renaming Machine looks at the complex entanglements involved in the political and cultural processes of renaming. Its main concept reflects the crucial need to question the way these processes have influenced the construction and destabilization of the memory of national, cultural and personal identities in the former Yugoslavia and South-Eastern Europe over the past two decades. The project examines various artistic and cultural phenomena and strategies associated with the notion of “renaming” in order to determine the extent to which renaming affects visual culture and shapes the cultural identities and cultural politics in the region and elsewhere. A compilation of essays edited by Suzana Milevska; contributors include Gayatri Chakravorty Spivak, Tadej Pogacar, The Monument Group and others. Edition of 500.

    4.       Rob Lowe, All the Fears, 2012. 
    All The Fears is an on-going project of Monoprints attempting to make physical the fears that all humans have but rarely talk about. Produced at speed, the faces are scratched into paint giving them the appearance of crudely made masks. These frightened and frightening faces are those that hide in the lonely dark of night when the weight of self awareness is at its greatest. Edition of 150.

    5.     A Fiesta of Tough Choices, 2007.
    Multiculturalism is easy to dismiss. For the right, it poses a threat to tradition and national identity. For the left, it often means food festivals, post-Marxist culturalism or reactionary community spokesmen. As in all discussions of globalisation, perhaps the jist of the problem lies in the tools at our disposal, the critical terminology, which is awkward at best, dangerous at worst.

    6.       Descent to Revolution, 2010.
    Drawing on a range of ideas about urbanism, community, play, collectivity, education and revolution by figures like Jean Baudrillard, Guy Debord, Henri Lefebvre, Thomas Jefferson, Jean-François Lyotard and others, Descent to Revolution investigates how incremental shifts in cultural behavior are generated by continual production of knowledge, action and conversation. Revolution then is a slow, ever-evolving process responsive to a changing contemporary society. Within this investigation is a look at the role of the institution of art in realizing projects by practitioners whose production relies on contexts outside of the gallery.

    7.      Options with Nostrils, 2011.
    Options with Nostrils brings together a collection of previously unpublished essays, both theoretical and visual, by artists, curators and a group of post-graduates from the Fine Art program at Piet Zwart Institute in Rotterdam, who together founded the Office for the Unknown. The writings investigate notions of the unpredictable and the unknown while looking at ways in which these notions enable a critical view on conditions of art making within the context of the present. Mirroring the process, this volume presents a chaos of ideas. Labyrinthine in structure and outlook, Options with Nostrils aims to destabilize the belief that there is an order of things in response to which the artist holds a decisive position. Because, as Sarat Maharaj has said, “The artist has an unknowability: the ability to unknow.” Featured contributors include Anthony Huberman, Raimundas Malasauskas, Linda Quinlan plus many more.

    8.       Olaf Nicolai, Why Women Like to buy Textiles that Feel Nice / Annotation, 2010.  
    Olaf Nicolai's work is conceptual in nature and often characterized by (socio) political references, in which multiple antipodal aspects (socialist and capitalist, hedonist and idealist) merge and overlap. Aspects such as production processes and the generation of commodities are reflected in his work as well as the realm of aesthetics and the role of the observer.

    9.     Tariq Ramadan, On Super-Diversity, 2011.
    One of the greatest challenges for art and culture, sounded by intellectuals and also by funding bodies, is to represent diversity. But what precisely does this term mean and why does it so often placate rather than produce what it names? Professor Steven Vertovec, Director of the Max-Planck-Institute for the Study of Religious and Ethnic Diversity puts forward the notion of “super-diversity,” noting “the need to re-evaluate conceptions and policy measures surrounding diversity by way of moving beyond an ethno-focal understanding and adopting a multidimensional approach.” Developing this idea further, while aiming to question and complicate the focus on immigration in the current debate, the prolific and provocative scholar and activist Tariq Ramadan weighs in on the subject. In the resulting essay, translated into Dutch and Arabic, Professor Ramadan sets out an argument that foregrounds universalism as a necessary, if devalued, horizon and offers a critique of the uses and limits of dialogue and discourse within the day-to-day practice of super-diversity.

    10.     Geoffrey Holstad, Cabin-Time: Bogus Lake, 2012.
    Cabin Time is a quarterly artist residency that takes a group of artists to remote places to camp, become best friends, and produce work for a group exhibition. Geoffrey Holstad, Cabin Time's principal organizer, created this field guide as documentation of the residency's second excursion: to Grand Marais, near the Northeastern tip of Minnesota.