Showing posts with label Brittany Shepherd. Show all posts
Showing posts with label Brittany Shepherd. Show all posts

Friday, November 16, 2012

Top 10 List - Brittany Shepherd



Brittany Shepherd

 

Here's my top 10! (in no particular order)


1. Erik van der Weijde, Der Baum

The project, titled "Der Baum", departs from the newly published book of the same title, which presents a series of 44 photographs the artist has taken during the past few years in different places, in each of which a tree stands in front of a specific background.
Starting with the grave of Adolf Hitler’s parents in Leonding, the trees cover locations in Brasilia, São Paulo, Berlin, Kassel, München, Istanbul and many other sites, joining discourses related to history, contemporary crime news, simple curiosities or wholly unspectacular and unidentified places.


2. Inka Meißner, Some Deaths



A collection of the last page from 67 different novels published in the past two hundred years describing the death of the main character in the novel. Some Deaths explores the different literary styles of Kafka, Flaubert, Woolf and more.


3. Audun Mortensen, The Collected Jokes of Slavoj Žižek

In The Collected Jokes of Slavoj Žižek has collected every joke cited or paraphrased by the Slovenian philosopher in his English books, from The Sublime Object of Ideology (1989) to Living in the End Times (2010).


4. Tony Romano &Claire Greenshaw, Millions Magazine: Fall 2012

Millions Magazine is a new contemporary art periodical edited by Canadian artists Tony Romano and Claire Greenshaw.

Issue 1 features David Armstrong Six, Iain Baxter&, Nadia Belerique, Bill Bissett, Duncan Campbell, Aaron Carpenter, Jennifer Castle, Shayne Ehman, Sojourner Truth Parsons, Nicolas Party and Brad Phillips.


5. Prism of Reality 2012

A Prism of Reality: a self-evident visuality, a metaphor that declares the truth of the image it produces. A prism of reality clarifies nothing; yet it emphasizes, insists, actualizes its metaphors. PRISM OF REALITY is a new artist-run arts journal that treats culture as de facto and absolute, itself constitutive of reality. Prism of Reality is distributed internationally in print and online, and is released every nine months.


6. Ricardo Previdi, Wrong Test
 
Conceived as a work halfway between an artist’s book and an exhibition catalogue, Wrong Test by Riccardo Previdi presents the newest works from the series Tests that the artist started to work on three years ago. Previdi culls his test patterns mostly from the internet. He started out using test patterns created to calibrate printers, to verify the color accuracy of digital cameras, or in conjunction with medical testing. Previdi prints the images on standard A4-sized paper, crumples them up, photographs them and then reprints them, often in enlargement, following this process of apparent destruction. Printed on a wooden board or stretched on a frame, the Tests vary in texture and are integrated into spatial interventions and installations in dialogue with existing architecture. Wrong Test presents some 46 test patterns across 120 pages, accompanied by a brief text extracted from Amazon.com customer reviews of the commercial products. The series was produced for this publication.
The selection, reminiscent of a visual scientific study, places particular focus on the commercial use of digital photographs and sheds light on various aspects of the technical image. Another focal point is the confrontation with the history of the technical image and the conditions of seeing.


7. David Horvitz, Sad, Depressed, People

David Horvitz’s Sad, Depressed, People looks at a set of images circulating within stock photography collections. These photographs, in which actors are photographed holding their heads in their hands, ostensibly depressed, are here shown to contain a bizarre tension between their status as stock images and their supposedly emotional content.

 
8. dOCUMENTA (13) The Guidebook 2012


9. VSVSVS, Lighter Boxes 2012

The care and attention put into the box belies the disposable nature of its contents, giving the ephemeral the permanence of a collectable. The simple aesthetic pleasure of a complete collection is immediately accessible, a beautiful dance of colours to put upon a shelf and admire for years to come - or to open when the time is right.


10. Mousse #35, October-November 2012