The New Art Met Shelves are Finished and Loaded Down with Plenty!!!!

Miles perfecting the angles

Miles muscling the shelves into place

So many New Things, we had to build more shelves!!!!

                                     

                                        

Miles on the job

Fillip - Fillip Issue No. 14, 2011

Fillip is a publication of art, culture, and ideas released three times a year by the Projectile Publishing Society based in Vancouver.

1.  Series: Intangible Economies
2. Markus Miessen et al. Architectural Space as Agent
3. Vector Association and Kristina Lee Podesva Via Satellite
4.Diedrich Diedrichsen Living in the Loop
5. Michael Turner and Reid Shier Upon Further Reflection
6. Amy Zion Ascetic Desire
7. Kathy Mezei Shadows and Blind Spots
8. Ahmet Ögüt and Berin Golonu Between the Scaffold and the Ruin

End Matter: Commission: David Horvitz, Scotch Broom

Jeff Khonsary

Edition of 3000

Periodical. Perfect bound, black and white

$15

Bad Day Magazine - Bad Day Issue 11, 2011

Edited by Eva Michon, Bad Day is a quarterly arts magazine published in Toronto. Bad Day features work by artists from all over the world, of all mediums.

Issue 11 features director/graphic designer Mike Mills as well as interviews with artists David Shrigley, Tomi Ungerer, Tauba Auerbach, Steven Shearer, Andrew Kuo, and Martino Gamper, a joke by SANY, and a Hangover.

Periodical, softcover, perfect-bound, two-colour text and images with an 8-page full-colour gloss section

$12

Scapegoat - Scapegoat Journal Property 00, 2010

SCAPEGOAT is a new journal of architecture, landscape and political economy. It examines the relationship between capitalism and the built environment, confronting the coercive and violent organization of space, the exploitation of labour and resources, and the unequal distribution of environmental risks and benefits. Issue 00 focuses on Property, because it is the literal foundation for all spatial design practices. Architecture, landscape architecture, and urban design each begin with a space that is already drawn, organized, and formed by the concrete abstraction of the property lines. From our perspective, property stands as the most fundamental, yet underestimated, point of intersection between architecture, landscape architecture, and political economy. What is a “site” except a piece of property? What are architecture and landscape architecture but subtle and consistent attempts to express determined property relations as open aesthetic possibilities? How can these practices facilitate other forms of relation?
 

Issue 00: Property

Features
Interview with Alexis Bhagat and Nato Thompson, Adam Bobbette
Deathgrip by Troy Cochrane
Property in Three Registers by Shiri Pasternak
The Detroit Unreal Estate Agency: Properties in/of/for Crisis by Andrew Herscher

Projects
Familiar Site by Vincent Wittenberg
House Magic: an Incomplete Timeline of Occupied Social Centres Around the World by Alan Moore
H.O.P.E. Housing Opportunities for People Everywhere by Adrian Blackwell and Jane Hutton
Thirty Points to Challenge the Hegemonic Order in the City of Buenos Aires by Iconoclasistas
SUB_city by Marc Maxey
Picture the Homeless by Not an Alternative
Social Bridge by Reece Terris

Reviews
Wasting Naples, reviewed by Alessandra Renzi
Architecture Depends, reviewed by Lucas Freeman
24 City, reviewed by Kin Tsui
The Garden, reviewed by Rhonda Teitel-Payne 

$7

Scapegoat - Scapegoat Journal Service 01, 2011

SCAPEGOAT is a new journal of architecture, landscape and political economy. It examines the relationship between capitalism and the built environment, confronting the coercive and violent organization of space, the exploitation of labour and resources, and the unequal distribution of environmental risks and benefits. Issue 00 focuses on Property, because it is the literal foundation for all spatial design practices. Architecture, landscape architecture, and urban design each begin with a space that is already drawn, organized, and formed by the concrete abstraction of the property lines. From our perspective, property stands as the most fundamental, yet underestimated, point of intersection between architecture, landscape architecture, and political economy. What is a “site” except a piece of property? What are architecture and landscape architecture but subtle and consistent attempts to express determined property relations as open aesthetic possibilities? How can these practices facilitate other forms of relation?

In our second issue (01), SCAPEGOAT looks to current practices to intensify our concept of Service—as a problem. That is, how can we develop new models for self-management and mutual aid that move beyond unidirectional forms of service as clientelism and dependency? How can we think through service provision beyond the State? How can we privilege voluntary association and ethical reciprocity rather than volunteerism? How can new approaches to training and the intergenerational transmission of knowledge be radically re-organized? How has the rise of the populist Right coincided with mechanisms of gentrification and the ideologies of the so-called ’creative city’? How can we counter the predominance of economic metaphors in our attempts to articulate values and commitments? How could design services work in solidarity with the labour of extraction, construction, and maintenance?

$7